Shipped upon receipt of a signed License Agreement and full payment of all invoices. Genevieve Marshall) ENSIGN DINAH MURPHY ENSIGN JANET MacGREGOR 7 ENSIGNS - (originally named Connie Walewska, Bessie Noonan, Rita Adams, Lisa Minelli, Pamela Whitmore, Sue Yaeger and Cora MacRae) ISLANDERS, NUNS, OFFICERS, SAILORS, MARINES, and SOLDIERS Thomas Hassinger) A SHORE PATROLMAN LEAD NURSE - (originally named Lt. BUZZ ADAMS YEOMAN HERBERT QUALE - sailor RADIO OPERATOR BOB McCAFFREY - sailor 2 SEABEES - (originally named Morton Wise and Richard West) 2 SAILORS - (originally named Tom O'Brien and James Hayes) 3 MARINES - (Originally named Sgt. WILLIAM HARBISON - United States Navy LT. GEORGE BRACKETT - United States Navy CMDR. JOSEPH CABLE - United States Marine Corps CAPT. The use of make-up or prosthetics to alter an actor’s ethnicity is prohibited.ĮNSIGN NELLIE FORBUSH EMILE DE BECQUE NGANA - his daughter JEROME - his son HENRY - his native servant BLOODY MARY LIAT - her daughter BLOODY MARY'S ASSISTANT LUTHER BILLIS ABNER STEWPOT -Carpenter's Mate Second Class, George Watts PROFESSOR LT. Those characters native to the area should be cast accordingly. The cast includes Americans and people native to the South Pacific. The story takes place in the South Pacific during World War II.The lighting designer is Howard Harrison, sound designer is Paul Groothuis, video designer is Gillian Tan, additional arrangements and Happy Talk orchestration is by Theo Jamieson, casting director is Charlotte Sutton CDG and additional children’s casting by Verity Naughton. The Musical Supervisor is Nigel Lilley, Musical Director is Cat Beveridge and new orchestration is by David Cullen, with original Broadway orchestration by Robert Russell Bennett. The South Pacific UK Tour is directed by Daniel Evans, with set and costume design by Peter McKintosh, and choreography and movement direction from Ann Yee. South Pacific boasts one of Rodgers & Hammerstein’s most memorable scores, and this much-loved Tony and Pulitzer Prize-winning musical features songs such as “Some Enchanted Evening”, “I’m Gonna Wash That Man Right Outa My Hair” and “Bali Ha’i”. This powerful love story, set on a South Pacific Island during World War ll is brought thrillingly to life with a sensational cast of over thirty and a full orchestra in this epic new five-star production directed by Chichester Festival Theatre’s Artistic Director Daniel Evans. Chichester’s Artistic Director Daniel Evans, will once again direct Julian, Gina, Rob, Joanna and Sera as they reprise the roles they played to enormous critical and audience acclaim at Chichester Festival Theatre in the summer of 2021. The production opens at Manchester Opera House on 16 July 2022 ahead of a season at Sadler’s Wells, London from 27 July to 28 August 2022 (with a press night on 4 August 2022) followed by a limited 10-week UK and Ireland Tour visiting Dublin, Newcastle, Birmingham, Glasgow, Cardiff, Nottingham, Edinburgh, Leeds and Canterbury. The cast is completed by Iroy Abesamis, Feline Andersson, Charlotte Coggin, Annabel Edwards, Leslie Garcia Bowman, Sergio Giacomelli, Ellie Jane Grant, Josh Kiernan, Matthew Maddison, Rachel Jayne Picar, Kate Playdon, George Renshaw, Pierce Rogan, Charlotte Scott, Trezel Sergeant, Nikhil Singh Rai, James Wilkinson-Jones and Eleanor Wright. Joanna Ampil (Bloody Mary), Mera Maehara (Liat) and Rob Houchen (Joe Cable) in South Pacific. They are joined by David Birrell as Captain George Brackett, Stephen John Davis as Commander William Harbison, Antoine Murray-Straughan as Stewpot, Charlie Waddell as Professor and Olly Christopher as Sergeant Johnson. Lee Ross is announced as Luther Billis, joining the previously announced Julian Ovenden as Emile de Becque alongside Gina Beck as Ensign Nellie Forbush, Rob Houchen as Lieutenant Joseph Cable, Joanna Ampil as Bloody Mary and Sera Maehara as Liat. Jamie Wilson, Jonathan Church Theatre Productions and Gavin Kalin are delighted to announce the full cast for the Sadler’s Wells season and UK and Ireland Tour of the critically acclaimed, landmark Chichester Festival Theatre production of Rodgers and Hammerstein’s South Pacific. Gina Beck and Julian Ovenden in Chichester Festival Theatre’s South Pacific. Full casting has been announced full for the Sadler’s Wells season and UK and Ireland Tour of the critically acclaimed, landmark Chichester Festival Theatre production of Rodgers and Hammerstein’s South Pacific.
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It has pioneered breakthroughs in the highest food waste categories of bakery and meat, including patented plant-based curing agents and nitrite-free solutions for listeria inhibition, innovative vinegar-based solutions for clean taste in low pH bread applications as well as solutions for process and heat treatment replacement in beverages. Our new tool provides simple but actionable insights for both consumers and the food industry and shows the real impact that shelf-life extension technology can have on food products.” SolutionsĪs the market leader in conventional and clean label preservation, Kerry understands shelf-life protection and extension to be the most actionable method in managing food waste in the home and supply chains. If the world reversed the current trend of food loss and waste, we could protect enough resources to feed three times the amount of undernourished people on the planet today. While Kerry partners with manufacturers to extend the shelf-life of products, it is important to remember that individual actions at home can also have a big impact. We all need to act, and as an industry, we must take immediate action in eradicating food waste within the food system through new technology and innovating together. “Today is a reminder of the precarious global situation of food security. Research has shown that approximately 50 percent of consumer waste could be prevented via shelf-life extension technologies – a saving which would meaningfully reduce world hunger.īert de Vegt, Global VP for Food Protection & Preservation at Kerry, said: In addition, the estimator enables food manufacturers to determine the impact they can have in reducing global food waste by using shelf-life extension technology across their portfolios. Too Good to Go, the world’s largest food-saving app, provides useful food waste reduction tips for consumers within the estimator. It provides information on the number of additional people that could be fed and the amount of carbon dioxide and water saved by making simple changes to reduce food waste. A variety of methods of different degrees of complexity is described to achieve this.Kerry’s innovative new estimator uses just a few simple inputs to inform users about the impact that reducing food waste can have on our planet. If one wishes to automate the data processing completely, however, one has to have some system for directly processing the output of the sensor. The actual form in which data are required varies from one laboratory to another. There is little advantage in developing automated assays if the data cannot be processed at the same rate as the output from the analyzer. It is convenient to consider the data processing separately, and the instrument calibration and calculation of results together. These calculations involve actual processing of the data for example, transfer from a record on the chart of a pen recorder to a computer, measurement of certain properties of the analyzer, such as retention time and flow rates in the various components, and finally conversion of the readings in a given set of assays to suitable units, using data obtained from the instrument calibration. This chapter discusses the last stage in enzyme automation-namely, the processes involved in the conversion of instrument readings into suitable units of enzyme activity. Even if the tank gains aggro before the castbar finishes, the original target will still be hit with the attack. If a DPS is being targeted with the tankbuster, tough luck. Once a boss starts casting an attack, it has already decided its target, and there is no way to change that. Unlike damage and position snapshotting, aggro is snapshotted when the castbar starts. DoTs under buffs and other various buff snapshotting is a basis for optimisation. a 10% damage buff that expires in 1 second will still provide the 10% damage buff to the entirety of the DoT, but gaining the buff after the DoT has been cast will not retroactively affect the DoT’s damage, even if it still ticking on the boss. Scholar’s Ruin II, or any melee GCD, the damage snapshots on button press.įor example, if a Warrior uses Fell Cleave with Storm’s Eye (10% damage increase) on, but the buff falls off between the button press and the damage application, the Fell Cleave still does 10% more damage.Ī more apt use of this knowledge is in regards to DoTs and HoTs.īoth of these types of abilities snapshot on cast, e.g. White Mage’s Glare, snapshot at the end of the cast, whereas instant casts, e.g. This holds true for damage dealt by the player and from players healing each other. LEVEL 5 PETRIFY FFXIV FULLHowever, if its placed in between the castbar completion and the damage application, the full damage is taken. Without any further ado, let’s get into it.ĭamage snapshots occur at the same time as position snapshots, and include all buffs and debuffs on related entities.įor example, if reprisal (10% mitigation) is placed onto E8S Shiva during her Absolute Zero castbar, the damage will be reduced 10%. If you know of a clip that would fit in any of these spots, please let me know! Note: These square brackets indicate spots where I would like to include a visual, but have not been able to due to lack of footage or time. There are a few mechanic-based exceptions, but this is meant to be a general guide to improve any raider tackling any fight. Tanking basics (tank swaps, holding aggro) or healing basics (keeping your party alive while still dealing damage) will not be covered - if there’s demand for it I can add those concepts to this guide in the future. Things like your rotation, your opener, and fight optimisations can be found can be found here on AkhMorning, in The Balance or elsewhere. I will assume you know the basics like what GCDs and oGCDs are.
I also added popup boxes to some of the lines that represent the routes of the vessels, in this case linking to the shipping news sections of online newspaper archives so that clicking on the line representing a specific voyage brings up an image of the newspaper that contains a link to the reference in its shipping news section for that specific voyage. #TURN MXD FILE INTO WEBMAP ARCHIVE#Each popup can contain a relevant image and "Get more info" link to, for example, the Website of the archive or a Wikipedia entry on the place. I also ended up importing the Ports_and_Landmarks shape file to identify places relevant to the slave trade, from landmarks like Cape Mount, to ports like Paramaribo, to archives like the Zeeuws Archief in Middelburg that hold the logbook data on which the GIS is based. Most basically, I configured the popup boxes for the point symbols for a particular voyage to include the URL for the search window in TSTD for that same voyage, allowing users to immediately connect the data and representations of one project to those of the other. The popup box associated with clicking on each feature, line or point, is particularly useful in a Web GIS because it can include URL links to other Websites. That is accomplished laboriously but straightforwardly through the Contents panel of the Web Map and a menu that appears when the arrow to the right of each layer is selected. Those shape files do not contain the symbology and other features, such as the visibility range, of the layers in the GIS from which they were exported, necessitating a lot of work to reestablish appropriate symbols to indicate cargoes and so on within ArcGIS Online. Once that GIS had been saved to the ArcGIS cloud, I was able to add all the point and line layers for the 48 slaving voyages by selecting the Add Content button, selecting Add Layer from File, navigating to the folder of shape files on my computer, and uploading each in turn. I then saved the new map to My Content with the name Dutch and British Atlantic Slave Trade Voyages, 1751-1795. #TURN MXD FILE INTO WEBMAP FREE#Next, I started a new map from within my free ArcGIS Online account by selecting the Map link, then the New Map button, and then the Basemap button to add the same Terrain base map I used in ArcMap. Selecting all the files associated with a point or line feature class, right clicking, and selecting Send to Zipped Folder creates a compressed folder that the free ArcGIS Online accepts as an upload, as long as it does not contain more than 1,000 features. Those four types of file include the information essential to creating the Webmap: the projection, spatial reference, point or line locations, and attributes. Opening that folder reveals that each feature class exported as several files, including file.shp, file.prj. Then I used the Feature Class to Shapefile tool (in Conversion Tools, then To Shape file) to export all the point and line Feature Class files from the geodatabase to a new folder. Then, to reduce the size of the files in the Web GIS and ensure it ran smoothly, I used the Delete Field tool (in Data Management Tools, then Fields) to delete all fields except VesselID, Flag, DayOfWeek, Latitude, Longitude, TSTDURL, Cargo, and DATE from the attribute tables of the point Feature Class files. I then used a select by attribute query to find all the voyages that carried enslaved Africans and deleted all the layers for other voyages as well as the hurricane layer because the slave trade had ended by the time the hurricane record begins in 1851. Since I had used relative paths, the copy worked perfectly. In order to reduce the work involved in what was a test, being my first experience with web mapping, I copied the GIS and renamed it Slave_Voyages_WebGIS. #TURN MXD FILE INTO WEBMAP SOFTWARE#The first step in publishing the GIS on ArcGIS Online involved converting the feature class files, both line and point, to a format that the free version of that software accepts. Anyone with a broadband connection and a computer can, for example, use the Webmaps I have publish on this Website as the basis for their own Webmaps by modifying them, adding to them, deleting parts of them, and saving their creation to their own free account on ArcGIS Online. The free, non-subscription version of ArcGIS Online makes it possible for people with limited resources to publish Webmaps. To publish the GIS on the Web, I explored various applications, from the non-subscription, free version of ArcGIS Online to creating map services on a server at LSU using ArcGIS Server. Multi-character time marker, such as AM or PM (depends on locale) Single character time marker, such as A or P (depends on locale) Hours with leading zero 24-hour format (00 – 23) Hours without leading zero 24-hour format (0 – 23) Hours with leading zero 12-hour format (01 – 12) Hours without leading zero 12-hour format (1 – 12) Period/era string for the current user's locale (blank if none) Year without century, with leading zero (00 – 99) Year without century, without leading zero (0 – 99) Jan) in the current user's languageįull month name (e.g. Monday) in the current user's languageĪbbreviated month name (e.g. Mon) in the current user's languageįull name for the day of the week (e.g. In the following example, note that M must be capitalized: M/d/yyyy h:mm tt Date Formats (case sensitive) Formatĭay of the month without leading zero (1 – 31)ĭay of the month with leading zero (01 – 31)Ībbreviated name for the day of the week (e.g. Otherwise, specify one or more of the date-time formats below, along with any literal spaces and punctuation in between (commas do not need to be escaped they can be used normally). For example: 4:55 PM Saturday, November 27, 2004 If omitted, it defaults to the time followed by the long date, both of which will be formatted according to the current user's locale. Although only years between 16 are supported, a formatted time can still be produced for earlier years as long as the time portion is valid. If the date and/or time portion of the timestamp is invalid - such as February 29th of a non-leap year - the date and/or time will be omitted from OutputVar. Otherwise, specify all or the leading part of a timestamp in the YYYYMMDDHH24MISS format. Leave this parameter blank to use the current local date and time. The name of the variable in which to store the result. FormatTime, OutputVar, YYYYMMDDHH24MISS, Format Parameters OutputVar Transforms a YYYYMMDDHH24MISS timestamp into the specified date/time format. FormatTime - Syntax & Usage | AutoHotkey FormatTime
Fortunately, Google does give users a variety of privacy controls to delete and limit the collection of personal data. #Google hangouts meeting free#They say they never sell this data or share it without a users’ consent. Securing your Hangouts Meet (Recently rebranded Google Meet) session ensures that your meetings stay private and free of unwanted attendees. Google is a huge ad company though, so know that they can collect data on your use of these apps (not necessarily the content of your calls and messages, but things like how and when you use these apps) and then potentially use that to feed their vast targeted advertising business. Then, Google announced that Google Meet, the premium video meetings product, is now free for all Google account holders, until September. We announced in 2019 that we would be migrating all classic Hangouts users to the new Meet and Chat. Anyone participating can optionally enable captions and follow along by reading. Hangouts Meet and Hangouts Chat were rebranded to Google Meet and Google Chat in April 2020. Scheduling a meeting What is Google Hangouts Meet Fully integrated with G Suite, Google Hangouts Meet provides a lightweight interface that makes it simple to get started. #Google hangouts meeting software#Real-time captions Google has some of the best transcription software in the industry, and they put that to work in Meet. When a Google Project Zero researcher found a security vulnerability in Signal, Facebook, and Google chat apps, Google fixed the bug promptly. Google Hangouts Meet has been rebranded to Google Meet. Only 25 people can participate in a Hangouts call, but Meet supports up to 250 participants. Google is a big company that does a pretty good job on security. Users can (and should) passcode protect their phone to keep unwanted people from accessing the app. The kit consists of a set of four components which work together end-to-end to make engaging HD meetings affordableand headache-free. #Google hangouts meeting password#Duo does not require a password as it is a simple calling app. The Google Hangouts Meet hardware kit brings the reliable, easy-to-join video meeting experience of Hangouts Meet to the conference room. Both Hangouts and Meet require a strong password to login, and you can (and should) set up passwords for sensitive calls or meetings. Hangouts and Meet aren't, but do use simple encryption, which is only OK. Go to your Google Calendar and create an Event by clicking Create 2. Google Duo is end-to-end encrypted, which is great. Add a Google Hangout meeting link to your meeting / event 1. The first time I used this I was speaking at an event and took a selfie and I couldn’t believe how flawless my face looked! My face! Flawless! It’s something that normally doesn’t happen but E.L.F. The best part is that it’s widely available even though at times it can be sold out and it’s only $8.00. PORELESS PUTTY PRIMER SKINNot only is this primer vegan, cruelty-free, and formulated with squalane but it also has a velvety texture that glides over your skin to create a poreless and smooth texture. And while there are a few great drugstore primers on the market, there is one that stands above the rest. Luckily, the drugstore beauty game keeps getting better every year as affordable brands make it easy to find great primers right in our neighborhoods (no more driving 45 minutes to Ulta). A great primer is something I will pay extra for because the texture of your skin is the first thing people see when looking at your face. I have used everything from high-end brands like Clarins to Baby Skin from Maybelline. I have used my fair share of primers on the market, I have horrible skin formed from years of acne and it’s definitely textured, to say the least. Because as much as I loved makeup, I didn’t take care of my skin and I deal with it every day. Let me tell you that one of the biggest discussions I would tell my 13-year-old self would be skincare. No one is perfect, we all have scars or spots. But before we get into this article, I just want to mention that skin texture is real and it’s ok. It will take your tattered and textured skin and make it appear flawless. That’s why every great beauty routine starts with a primer. Your skin is your canvas and you can’t paint a beautiful masterpiece on tattered paper. Longer WiFi Range and Speed - with Less PowerĢx2 Multiple-User Multiple Input Multiple Output (MU-MIMO) technology allows access points to communicate with multiple devices simultaneously via pinpoint beamforming, boosting WiFi network capacity, speed and range. With Push-to-Talk Express pre-loaded and pre-licensed on all L10 models, your workers get instant push-to-talk capability over your existing WiFi network, right out of the box. With the integrated Zebra SE4710 enterprise-class scan engine (optional on XPAD L10 only), workers can capture barcodes as fast as they can press the scan button - even if they are scratched, dirty or poorly printed.ĭoubles as a Walkie-Talkie - with No Extra Cost Capture highly detailed photos and videos with the 13 MP color rear camera - ideal for split-second capture of proof-of-condition/delivery/service, onsite technical support and more.įlawless Capture of Virtually Any Barcode in Any Condition The Ultimate in Productivity with Enterprise Data Capture and Voice-Over-IP (VoIP)įront and Rear Cameras for Double the FunctionalityĮnable video calling with the 5 MP front color camera, allowing your workers to get the instant on-site help they need to resolve technical equipment issues and more. The bright 500 nit display is easy to see in just about any lighting condition, while the optional ultra-bright 1000 nit View Anywhere® display is easy to see, even in direct sunlight. Corning Gorilla Glass delivers maximum scratch-and-impact resistance to this most vulnerable device component. Users can choose their preferred data entry mode, finger or stylus. Virtually nothing stops users from entering information on the advanced multi-touch display - including gloves, rain and snow. Use it in extreme heat and subzero cold, inside a truck, car or forklift - or where hazardous materials are present.1 And the lightweight magnesium frame is stronger than steel and won’t twist, so you get durability without adding weight.Ī Large 10.1 in. Get it wet - even if the port covers are open. This waterproof, dustproof and drop-proof tablet is built to handle it all. 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No matter which model you choose, you get the same great rugged design, CPU platform, common user experience and consistent support for all of your applications. And with Mobility DNA, you get valuable only-from-Zebra applications that take device performance, ease-of-use, manageability and security to the next level. Zebra l10 xpad android#Manage Android updates with pushbutton simplicity. Zebra l10 xpad plus#An advanced platform delivers blazing fast performance on all your apps, a battery that provides full shift or around-the-clock power with a single charge, plus the fastest wireless connections - WiFi, Bluetooth, cellular, GPS and NFC. The rugged go-anywhere design is at home indoors, outside, in freezers, sub-zero cold and blazing heat, in forklifts and trucks, and even in bright sunshine. Customize your L10 tablets with enterprise accessories that simplify everyday use. Choose from three models that meet the needs of workers out in the field in oil and gas, mining, telecommunications, construction and the military - as well as in warehouses and manufacturing plants. Put the power of mobile data in the hands of workers in your most demanding environments with Zebra’s L10 Android Rugged Tablet family. |
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